Bliss, understanding, and power

Posted in aesthetics, community, politics on 24 Feb 2011

Ten points to those who know which important document the following quotation comes from:

If one group of people wears white clothes in mourning and another group puts on black, the sentiment of each group will be adjusted according to these two colours, i.e., one group rejects the black colour on such an occasion while the other one prefers it, and vice versa.

Such a sentiment leaves its physical effect on the cells as well as on the genes in the body. This adaptation will be transmitted by inheritance. The inheritors automatically reject the colour rejected by the legator as a result of inheriting the sentiment of their legator.

Consequently, people are only harmonious with their own arts and heritage. They are not harmonious with the arts of others because of heredity, even though those people, who differ in heritage, speak a single common language.

The emphasis is mine. And — should anyone have any doubt — the emphasis is made in order to point out not the most brilliant passages but the most amusing ones.

Why this post?

I have two reasons for this post, other than sharing the hilarious ignorance of a powerful thinker.

The Challenge of Communication

The first is that out of the witless crap in the previous paragraphs, comes the following, which is actually a conclusion I can pretty much put my name to, concerning the challenge of learning and communication — in this case, between different cultural groups, but the argument applies to any appropriation of other people’s thought, including music and the arts:

To learn a single language is not the problem, and to understand others’ arts as a result of learning their language is also not the problem.

The problem is the impossibility of a real intuitional adaptation to the language of others.

Between Stupidity and Insight

The second reason is that the book from which the quotations are taken — which by the way is a book not without its importance in the world these days — are full of these: nonsense leading to fully valid observations, or surprisingly clear-sighted analysis leading to utterly delusional conclusions.

Since the author is a man of power, this might lead to a consideration of the complicated relationship between wisdom, reality, power, change, abuse, injustice, and our shared responsibility.

So — who is the author?


Update:

OK, so it wasn’t really that hard. The excepts are from Moammar Qadhafi’s Green Book, written in the late 1970s, and compulsory reading for Libyans ever since. I post it here, in a prettified pdf-version, for two reasons:

(1) It’s better to read it yourself (and then figure out it’s crap) than to be told — perhaps by someone with an agenda — that it’s crap and that the author is a village idiot;

and

(2) It’s better to read it in a format that is pleasing than in one that isn’t.

So here you go: Qadhafi’s Green Book

Can Anything Good Come From North Carolina?

Posted in music on 17 Feb 2011

Some times things move quickly. In a couple of minutes, one gets a handful of friends for life.
Here’s How
After more years than I care to think about as a somewhat (some people might say) autistic Dylan listener, I woke up one day with the urge to find out what had happened in the music world outside since 1990 or thereabouts.

So a year ago, I went to Pitchfork’s list of the best singles in the 2000s. And I listened to horrendous amounts of LCD Soundsystem, Beyonce, Jay-Z and other modern stuff for a while.

And lo and behold if one’s musical horizon wasn’t extended a bit, although I still don’t get Daft Punk’s greatness.
New Year — New …

The Brazil Series

Posted in dylan on 12 Dec 2010

It can’t be easy: to be a painter and be called Bob Dylan. If one exhibits one’s pictures, most of the visitors will be fans of the musician Bob Dylan who probably show up mainly because they love his songs, or to find hidden references to Visions of Johanna. Then there are the curious ones, who just want to see how a rock singer and an icon paints. And lastly those who malevolently claim that if it hadn’t said “Dylan” over the door, no gallery would ever have exhibited them, and nobody would have cared anyway.

And perhaps they’re right — we’ll never know, since there isn’t a single person in existence in that segment of the population where people go …

“Why don’t you also block …?”

Posted in community, politics on 15 Jun 2010

I receive a lot of suggestions of other countries to boycott. Turkey, North Korea, Sudan, etc. So why don’t I also block them?
1. This is not a crusade against every injustice in the world. It is a contribution to the cultural boycott of Israel because of its treatment of Gaza and the Palestinians, as explained previously. That other regimes are also corrupt, racist, and oppressive should not be used as an argument against such a reaction, or to alleviate the burden of guilt of the Israeli regime.
2. Different issues call for different means. I have very few visitors from any of the countries that have been suggested. I have severe doubts that anyone in Somalia would even notice it if …

Anti-Hamas

Posted in community, politics, religion on 13 Jun 2010

I thought I was going to take a break from this now, but there is one more thing I need to state more clearly, and thanks to all who have reminded me of this (and I’m not being sarcastic here):

Everything I’ve said about truth, propaganda, and predetermined morals could and should be used against the Hamas, as well as against simplistic, populist slogan truths from the Left. I’ve always been uncomfortable — to say the least — with banners and flags, of any colour or political orientation, because they by nature simplify a message and transform it into the same kind of Truth as I polemicize against in my previous post. I prefer a reasoned discussion where arguments are allowed …

Cultural Boycott — some reflections

Posted in community, philosophy, politics, religion on 12 Jun 2010

A week ago, I started my cultural boycott of Israel, in direct response to, but not caused only by, the events surrounding the murders (or war crimes) on the Freedom Flotilla. These are some reflections on the boycott itself and on the reactions it has caused.
What is a cultural boycott, and is it fair?
I consider my blockade as part of a cultural boycott of the same kind as that against South Africa in the 80s. As such it is a gesture which some people will feel is hurting them unjustly.

On an individual level, that is entirely true: why should all the good-hearted, friendly citizens of Israel, those who have never voted for Netanyahu and who are against the blockade of …

Neighbourhood Bully indeed

Posted in community, politics on 2 Jun 2010

I’m too enraged to write anything coherent, but beginning yesterday, I’m running my own private boycott of the state of Israel and anything/-one associated with it, and I urge everyone to do the same.

A fascist, belligerent regime is not justifiable by any past, no matter how cruel and injust it has been. A rotten childhood does not justify being an asshole.

At the same time, I lament my own belated reaction: why is it that Israel may kill thousands of semi-dark-skinned Achmeds and Muhammeds without anyone raising a brow, but when a couple of Swedish authors are drawn physically into the firing line, the world gets on its feet?

It’s sickening.

Update: When news of the cultural boycott was publicized on

St Stallman: A Hero of the Highest Order

Posted in computers, linux, politics, religion, software on 22 Feb 2010

“I’m not God — I’m just a saint.”

Richard M. Stallman

The Phoenix > News Features > Tilting at Windows

Richard M. Stallman is a legendary figure without whom the world would have looked very different, and one of those few whose initials — RMS — is a concept, on a par with JFK and LBJ.

Within certain circles, that is. Outside of those circles, most people have never heard of him.

Back in the 70s he was a super-hacker at MIT, deeply involved in and committed to the creative movement where program code was shared freely, making everyone involved better coders thanks to the community.

In the 80s, when the commercial potential in computers and software started to rear …

Guitar in Two Weeks, day 12: Chords, chords, chords

Posted in Lessons on 27 Jan 2010

This lesson is all theory, but it’s theory that you’re going to have use for more often than any other theory item so far. It answers two questions: “What the … does F#m9-5 and E+ mean?”, and “I made up this great chord, but now I want to write it down before I forget it. But what do I call it?”

You could of course call it Gerald, or write down the fingering, but if you want a piano player to know what you mean you might as well give it the correct name.
What’s (in) a chord?
So far, we’ve treated a chord mainly as a way to place the fingers on the fretboard, with some consideration given to the most important …

Guitar in Two Weeks, day 11: Fingerpicking II

Posted in Lessons on 26 Jan 2010

Today’s lesson will pick up from where the previous ended and take it further in two directions. And be warned: this lesson is probably the most advanced lesson in the whole series. As one commenter wrote, these songs are not easy to play.  They demonstrate some more advanced things you can do with fingerpicking once you have a grasp of the basic technique.

The techniques we have been using so far are mostly just a more elaborate way to play the chords in a tune, but in principle, they might as well be strummed. Where fingerpicking shines, however, is in the ability to pick out melodies and little riffs.

To this end, there are three techniques that come in handy, and one …