I have to do this in a bulleted list, because that’s as long as I can hold a thought: why this is the most glorious ten minutes I’ve spent in any hell in a long time (at least since Christmas in the Heart)
The beauty of seeing an acid city slicker singing delta blues, which proves that there are many paths to the blues — too much of either whiskey, cotton picking, broken hearts, or cocaine and educational electro shocks @ young & tender age
If Take no Prisoners is Lou Reed’s best album, this is the best remake of it: the refusal to let it die, the refusal to let the beauty of whatever you’re singing take over, and the song’s refusal to take your refusal into account.
if you’re ugly from the start and manage to communicate sublime beauty in/despite that condition (alternatively: if you choose to communicate your desperate take on sublime beauty in an ugly form) you will not age, and since you don’t age, you will never die.
Anyone who watches this and still wants a strat instead of a tele should have his brain checked (unless he has black curly hair, enormous hands (and you know what they say about big hands), and died in 1970).
(Thanks to Meinhard for putting this up on his Facebook profile)
I admit it: the chords part of dylanchords may be in a decent state (apart from the use of frames, which is sooo last century), but the articles are a mess. There’s the collected pdf volume, the selected links on the Self-ordained Professors page, the blog posts here, and the introductions to some of the albums.
I’ve now decided to do something about it. Here’s the state of affairs:
Things Twice — the book. This will always be the definitive version. If/when I do revisions to articles, this is where they are made. The layout is more pleasant than in any of the other formats. It’s a pdf file, currently c. 2 Mb. Self-ordained …
The blog has been down for a while. How long, I don’t know, and that’s embarrassingly revealing of my recent neglect of the site. In any case, I decided to move the whole thing to my own webspace, and it seems that the transition has worked out nicely.
Not that I was dissatisfied with the former home. From the day that I registered dylanchords.com and left the old, catchy hem.passagen.se/obrecht/backpages/chords, and until I decided to take down the site, around Christmas 2005 because of the threats from the recording/publishing industry, the site has been hosted nicely from a secret location in Gothenburg — may thanks, Oskar! — and the blog remained there until today.
But since I already had this other …
I’ve mentioned it before: I don’t mind Dylan lifting lines from Timrod. I do mind his uncredited appropriations of entire pieces of music, but little snippets of text here and there — that’s a completely different matter.
In all the many discussions and opinions about this matter, two areas have been mentioned with some frequency, either in order to emphasise the offense, or to diminish it. In each their way, they add some interesting twists to the case, although they don’t change my verdict concerning the musical theft.
Academic borrowing
One of the references is to the academic world. The argument goes that if something like this had happened there, Dylan would have been sent home with an F and a relegation.
I would argue against this, although in some cases he comes close.
I’ve been living abroad since I was 20 — the very term ‘abroad’ doesn’t even make much sense anymore; I consider myself a Swede from Norway, being truly at home in Denmark (and spending most of my days in an international world of the Internet, TV, and music). Without going into detail, there may be reasons other than the practical and circumstantial (and, as some Swedes will doubtlessly say: the obvious) why I’ve left Norway and have no immediate plans of returning.
When I watch Norwegian TV, most of the names don’t mean anything to me, some of the faces are apparently world-famous celebrities. So they say. It’s mostly a channel I flip past on the way to BBC …
For various reasons, I’ve put my Dylan-oriented writings together to a book. It is available for download at http://www.dylanchords.com/tt.pdf (2 Mb).
The main reason I have done this has nothing to do with Dylan, but more with Seal: it’s an experiment in LaTeX, inspired by the wonders of this typesetting environment, gradually revealed to me through Seal, which gave me the urge to try it out myself.
Another reason is the long period of inactivity here. I guess I felt that something needed to happen.
The third reason, and the most direct one, is the Lonnie series, which I thought I had brought to a conclusion. As it happened, I still had more to say. I have extended it with a practical …
As I mention on the front page, whatever efforts I have made to make a deal with someone in the position to do so, and to find a legitimate and permanent solution to the copyright issues surrounding a tab site like this, have failed, and dylanchords has now gone officially and openly underground.
As I also say, that doesn’t mean that all is over – on the contrary: this is where it begins, sort of. dylanchords.nfshost.com and dylanchords.brokenbricks.com are now available, as officially approved underground-mirror sites. They are not mirrors in the technical sense, and may thus not be completely identical, but we will try our best to keep them both updated. My sincerest thanks to the …
I have a spam filter on this blog. That’s one of the mixed blessings of blogging: once in a while I get bombed with comments like “Like your page, interesting comments” and then fifteen links to online casinos, phentermine, cialis and texas holdem. Most of them never see the light of day, thanks to efficient blocking.
The downside is that once in a while a legitimate post gets trapped too. Usually it’s transparent enough so that those comments end up in “purgatory” and I have to approve them manually (which is why some of you may have experienced a considerable delay before your comments appear on the site), but occasionally, they are sent to “spam hell”.
If you identify the country, the people, the culture with the rulers, accept the totalitarian doctrine, then yeah, it's anti-Semitic to criticize the Israeli policy, and anti-American to criticize the American policy, and it was anti-Soviet when the dissidents criticized Russian policy. You have to accept deeply totalitarian assumptions not to laugh at this.Noam Chomsky