Eyolf on the topic of community

“Say Only That Which You Have Figured Out Yourself”

Posted in aesthetics, community, philosophy on 22 Feb 2009

These are the words of Thomas Blachman, the guy who has divided more water in Denmark than anyone since Moses (not that Moses was active in Denmark, but you know what I mean), the judge in Danish X Factor who according to some is a sadist who takes delight in sending aspiring stars home to their teenage rooms crying, according to others — yours truly included — a voice who actually has managed to say something important about culture in these Modern Times. In this case, it is from his book, The Colossal Human (p. 15).

Thomas Blachman - The first man to know everything again?

Anyway,

“Say Only That Which You Have Figured Out Yourself”.

Hm.

Is he a utopian, is he just out there to provoke, or is he plain stupid? What kind of an ideal is that, in these Modern Times when everything has already been figured out a long time ago, and when it takes at least a degreen in quantum mechanics and a super-advanced wheelchair to even start trying to understand even the questions that need to be asked to figure out that which still remains, let alone figure them out? And when there’s no need to figure out anything oneself, because wikipedia is always two clicks away? Is he calling for complete silence from the rest of us?

On the contrary, and I think he’s right.

But I think he’s right not only for the reasons he gives:

Because if everything I say has already been said before, who is then speaking? My parents? Their parents?

Seen in this light, his statement is a protest against the postmodern state, the quotation society, where even the attempts at true originality is abandoned because everything has already been said; where the closest we can ever get is to piece together the quotations in new and — hopefully — interesting ways.

Seen in this light, it is a call to arms against the fear of originality: if you don’t even try, there is no way to tell if what you had meant to say really was original, the spark of genius which, against all odds, had let you figure out something new. Be brave — fight the odds.

This is a valid and necessary opposition. But the statement could be taken in another direction too:

Athanasius Kircher -- the last man who knew everything

Thomas Young -- the last man who knew everything

OK, there is a fair chance that everything I have to say has already been said before, in one way or another. There is such an immense wealth of information out there, texts, opinions, blogs, databases, journals, etc., that if I were to check if anyone has said what I wanted to say, I would never get around to even saying it. I have some times suggested a five-year ban on writing and publishing, to give us a chance to catch up, but even if we extended that to ten or twenty years, it would still just be a piss in the Pacific (as my teacher used to say; wonder who said it before him?). The last man who knew everything died a long time ago, whether we think it was Athanasius Kircher (1601/2–1680) or Thomas Young (1773–1829).

But if that is my predicament, it is also yours, the reader’s: the chances that whoever reads what I write knows exactly that particular article which I happen to have copied (without knowing it because I haven’t read it), are so slim that it might as well be disregarded. In a certain sense, everything is new to discover again, so let’s get started.

What distinguishes this from the post-modern “rearranging the quotations” model is that the quotations — which they most probably are — are not treated as quotations but as new, because to the individual reader, it most likely is new: not necessarily new knowledge, objectively speaking, but at least new statements, nevermind if they have been made before.

In other words: consider what is being said not primarily as information, but as action — communication as an act of human interaction, not as a transferral of knowledge. Or, to use a different image (which I hereby use for the first time, to my knowledge and presumably to yours): as sex, not in the sense of transferring information like a sperm to an egg, but in the sense of cuddling, enjoying someone’s company, body, and mind.

Even an expert in the same field as mine would have a different background, different reasons to say what he says, different ways of saying it. Hearing our different versions of the same information would still be to meet two different persons, witness two different realizations of being human, expressions of humanity. They are revealing, not so much in what they say as in how and why: here’s another person who is saying something — why is he doing that? why does he keep using “red” as an example? Which records did he listen to when he was sixteen?
Etc.

Then there’s always the thin line which separates bold greatness from trivial platitudes. Perhaps we don’t need hoards of people who have figured out for themselves that the world is round and are dying to tell the world about it. Or perhaps we do? Rather than hoards of people who don’t? Discovering that the world is round is a wonderful thing to do, even though Columbus has done it already. Too wonderful to be done once (and) for all.

Confessions of a Class Traitor

Posted in Project identity, community, politics on 12 Feb 2009

“While I was sitting there, drink in hand, separated from the plebs by a heavy curtain, and with servile maidens swirling around me at my slightest wink, every nerve in my body politic was screaming: ‘It wasn’t my fault! It’s a mistake! I’m not like this!’ But what could I do…?”

Luciano

Posted in community, music on 7 Sep 2007

“Well I really wasn’t such a Johnny Ace fan,
But I felt bad all the same”

I don’t think any death in the classical world could have touched me as much as this one, without there being any specific reason for being touched, since I wasn’t really into this particular kind of popular hawling of opera into the marketplace. Strange.

Perhaps it’s just that he was a great singer with an obvious presence and something as old-fashioned as love for what he was doing.

Damn, he’s gone now. I miss him already.

Luciano Pavarotti, 1935–2007

Dylan the Postmodernist?

Posted in aesthetics, community, dylan, music, politics on 11 Oct 2006

I had originally thought that I wasn’t going to write much about Modern Times. I was wrong. What started out as a short, indignant review of the musical borrowings on the album, was then followed up by a somewhat longer discussion of the lyrical borrowings from H. Timrod, which I have now wrapped up in a longish piece which traverses the death of the author, copyright laws, various connections between ethics and aesthetics, oh yes, and Dylan’s later work. The last piece has so much significant use of italics that I don’t dare to let it out in a plain-html version, so you will have to download a pdf file. I’ve made it available in two versions: one …

Identity, sortof

Posted in Project identity, community, general on 27 Sep 2006

I’ve been living abroad since I was 20 — the very term ‘abroad’ doesn’t even make much sense anymore; I consider myself a Swede from Norway, being truly at home in Denmark (and spending most of my days in an international world of the Internet, TV, and music). Without going into detail, there may be reasons other than the practical and circumstantial (and, as some Swedes will doubtlessly say: the obvious) why I’ve left Norway and have no immediate plans of returning.

When I watch Norwegian TV, most of the names don’t mean anything to me, some of the faces are apparently world-famous celebrities. So they say. It’s mostly a channel I flip past on the way to BBC …

“Lyrics Dustup Ends in Apology”

Posted in community, general, guitar, music, politics, tabs on 19 Dec 2005

Wired News: Lyrics Dustup Ends in Apology

Kinda interesting, this one… Especially the last couple of paragraphs.

Beginning in January, the Music Publishers Association, of which Warner Chappell is a member, will begin pursuing a campaign against 5 to 6 such companies, according to MPA CEO Lauren Keiser.

“Lost revenue for rights holders is in the millions,” said Keiser, “We’re not going after fan clubs, but websites that make money.”
True, I do have that “small donations welcome” link hidden away at the bottom of some frame, but I guess that doesn’t really count — I’m a small potatoe here (sob! my ego is hurting!).
Anyway, for various reasons, I will not make any drastic changes quite yet, but stay tuned.

Thanks to …

Thank god! There is still hope!

Posted in community, music, politics on 17 Dec 2005

BBC NEWS | Entertainment | Young ‘prefer illegal song swaps’
So, the question of file sharing and illegal music sites is coming up again. One consequence is that dylanchords is temporarily down. “Sam Spade” first posted a note in a different thread, about the record industry being intent on stopping sites like this one. Fair enough, perhaps. I took a consequence of that. An overreaction, perhaps, but that was my decision.
The post also contained a link to a report about a study that Jupiter Research has undertaken, about the music habits of young people. One conclusion is that illegal file sharing networks are used three times as much as the legal ones.
I don’t know what to say …

The Airwaves, They Are A-Changin’

Posted in community, dylan, music on 17 Dec 2005

The Airwaves, They Are A-Changin’
Amazing how we think the same about things, Dylan and me :-) It’s only a month or so since I wrote:
Why doesn’t he give us something he’s interested in? He obviously loves old music, the kind of songs he rips off and records with new lyric collages, the kind of stuff he sings when he’s all by himself. That’s what he does amazingly well, so why not do it more? How about ditching the war-horses — they’re as tired as him — and playing a show once in a while, with Doc Boggs, Gene Austin, Johnny and Jack, Charles Aznavour, stuff we know he loves?
And now he’s going to do exactly that, on …

“. . . whatever / I Stumble Upon”

Posted in community, general, software on 6 Sep 2005

It started with “google” — an internet term which became a standard word in any word class and in any language. Then it was “blog”, which is apparently the word that most quickly has been entered in French dictionaries.
But where I live, “Stumble” tops them all. People can be ‘thumbs-upped’ for their great stumbles. It’s the best example I can think of of an idea which in itself is great, but which, when put into practice, not only proves itself as great in the way it was meant, but also has a potential for growth in all possible directions, which the originator could never have imagined.
The basic idea is this: say you’re interested in cats. You look for pictures …