Eyolf on the topic of aesthetics

Bliss, understanding, and power

Posted in aesthetics, community, politics on 24 Feb 2011

Ten points to those who know which important document the following quotation comes from:

If one group of people wears white clothes in mourning and another group puts on black, the sentiment of each group will be adjusted according to these two colours, i.e., one group rejects the black colour on such an occasion while the other one prefers it, and vice versa.

Such a sentiment leaves its physical effect on the cells as well as on the genes in the body. This adaptation will be transmitted by inheritance. The inheritors automatically reject the colour rejected by the legator as a result of inheriting the sentiment of their legator.

Consequently, people are only harmonious with their own arts and heritage. They are not harmonious with the arts of others because of heredity, even though those people, who differ in heritage, speak a single common language.

The emphasis is mine. And — should anyone have any doubt — the emphasis is made in order to point out not the most brilliant passages but the most amusing ones.

Why this post?

I have two reasons for this post, other than sharing the hilarious ignorance of a powerful thinker.

The Challenge of Communication

The first is that out of the witless crap in the previous paragraphs, comes the following, which is actually a conclusion I can pretty much put my name to, concerning the challenge of learning and communication — in this case, between different cultural groups, but the argument applies to any appropriation of other people’s thought, including music and the arts:

To learn a single language is not the problem, and to understand others’ arts as a result of learning their language is also not the problem.

The problem is the impossibility of a real intuitional adaptation to the language of others.

Between Stupidity and Insight

The second reason is that the book from which the quotations are taken — which by the way is a book not without its importance in the world these days — are full of these: nonsense leading to fully valid observations, or surprisingly clear-sighted analysis leading to utterly delusional conclusions.

Since the author is a man of power, this might lead to a consideration of the complicated relationship between wisdom, reality, power, change, abuse, injustice, and our shared responsibility.

So — who is the author?


Update:

OK, so it wasn’t really that hard. The excepts are from Moammar Qadhafi’s Green Book, written in the late 1970s, and compulsory reading for Libyans ever since. I post it here, in a prettified pdf-version, for two reasons:

(1) It’s better to read it yourself (and then figure out it’s crap) than to be told — perhaps by someone with an agenda — that it’s crap and that the author is a village idiot;

and

(2) It’s better to read it in a format that is pleasing than in one that isn’t.

So here you go: Qadhafi’s Green Book


Someone Please Fire Jack Frost

Posted in aesthetics, dylan, music on 8 Dec 2009

… or at least his little helper. You know, the little guy who sneaks in when Mr Frost has gone for lunch, and turns knobs that are best left alone. His intentions may be the noblest, but as we all know, Satan sometimes comes as a Man of Peace.

Frost, who also goes by the name of Bob Dylan, has produced a number of said artist’s records, and one would suspect that he, of all people, would agree with Dylan’s harsh verdict in a recent Rolling Stone interview on the sound quality of records today:
You listen to these modern records, they’re atrocious, they have sound all over them. There’s no definition of nothing, no vocal, no nothing, just like — …


How to Die with a Clean Grave (aka Ten Blessed Minutes in Hell With Your Host Lou Reed)

Posted in aesthetics, general, guitar, music, philosophy on 28 Oct 2009

I have to do this in a bulleted list, because that’s as long as I can hold a thought: why this is the most glorious ten minutes I’ve spent in any hell in a long time (at least since Christmas in the Heart)

The beauty of seeing an acid city slicker singing delta blues, which proves that there are many paths to the blues — too much of either whiskey, cotton picking, broken hearts,  or cocaine and educational electro shocks @ young & tender age
If Take no Prisoners is Lou Reed’s best album, this is the best remake of it:


“Say Only That Which You Have Figured Out Yourself”

Posted in aesthetics, community, philosophy on 22 Feb 2009

These are the words of Thomas Blachman, the guy who has divided more water in Denmark than anyone since Moses (not that Moses was active in Denmark, but you know what I mean), the judge in Danish X Factor who according to some is a sadist who takes delight in sending aspiring stars home to their teenage rooms crying, according to others — yours truly included — a voice who actually has managed to say something important about culture in these Modern Times. In this case, it is from his book, The Colossal Human (p. 15).

Thomas Blachman - The first man to know everything again?

Anyway,
“Say Only That Which You Have Figured Out Yourself”.
Hm.

Is he …


Can’t Wait

Posted in aesthetics, dylan, music, reviews on 18 Feb 2009

Two things in particular make Tell Tale Signs a god-send for the Dylan analyst. One is that it shows how tightly interconnected Dylan’s last three albums are, not only musically but also lyrically: text fragments and themes float between them as if they were part of the same triple album. The other is that it gives an opportunity to study the process that so many musicians who have worked with him have mentioned: that songs can change radically from one session to the next or even between takes. The three versions of “Can’t Wait” are particularly revealing in this respect.


Dylan At His Very Best

Posted in aesthetics, dylan, music, reviews on 12 Oct 2008

When is Dylan at his best these days? When he pulls out his guitar once and again? Or perhaps delivers a blistering harp solo? Or when he soars to the top of his vocal register in a beautifully raw rendition of an old warhorse? Or is it on his albums, the three great artistic and commercial achievements Time Out Of Mind, “Love and Theft”, and Modern Times?

Neither. No matter how great his studio albums are, his greatest artistic achievement during the 2000s comes from a different kind of studio. A small one, by the sound of it. I recently became the proud owner of a true gem: the complete recordings of the first season of his wonderful Theme Time Radio Hour.


The Uneven Heart — Bob Dylan The Musician

Posted in aesthetics, announcements, dylan, music on 27 Feb 2008

Most of my posts begin “it’s been a while”, it seems, and so does this one. This time, it’s been a self-imposed silence, because I’ve been busy finishing a book on lauda singing in the sixteenth and seventeenth centuries — perhaps not your cup of tea, but it’s what I do for a living.

Anyway, my real book is coming along as well — my collected writings about Dylan and his music — and I’ve wrapped up another article, this time an extended translation of the article I wrote for the Norwegian philosophical journal Agora last spring. It’s a survey of some traits of Dylan’s musical carreer, seen as a pulse of phases of appropriation, internalization, and moving on, almost …


Art is ugly

Posted in aesthetics, announcements on 10 Sep 2007

Art is Ugly


Dylan the Postmodernist?

Posted in aesthetics, community, dylan, music, politics on 11 Oct 2006

I had originally thought that I wasn’t going to write much about Modern Times. I was wrong. What started out as a short, indignant review of the musical borrowings on the album, was then followed up by a somewhat longer discussion of the lyrical borrowings from H. Timrod, which I have now wrapped up in a longish piece which traverses the death of the author, copyright laws, various connections between ethics and aesthetics, oh yes, and Dylan’s later work. The last piece has so much significant use of italics that I don’t dare to let it out in a plain-html version, so you will have to download a pdf file. I’ve made it available in two versions: one …


About Love
(What it’s about)

Posted in aesthetics, general on 24 Sep 2005

What it’s about