Eyolf wrote in the month of July, 2011

Why ABB Shouldn’t Be Roasted Over a Slow-Burning Fire

Posted in philosophy, politics on 25 Jul 2011

I’m outraged — by my own wish that Anders Behring Breivik be treated as a human being.

My basest instincts would love to see him fry in a very earthly hell. But although the though of him living on and perhaps even coming out into society 21 years from now, in principle cleared of his guilt, makes me angry, I still don’t think the frying pan is a very good idea after all.

Our civilization is based on a belief in a certain fundamental core of human-ness shared by all human beings. To this human-ness, we have added a set of rights.

Now, I think it’s sound to be clear that this is a belief and not an objective fact, because it gives us the opportunity — and in times of crisis, the obligation — to ask ourselves, individually and collectively, what we base that belief on.

Also, I don’t think of these rights as “universal” or “inalieanable” in any other sense than as a statement of interest: it’s something we, as a society of human beings, have established, because we believe society works better that way — not something that comes automatically, just from being a human being.

Those “rights” are being violated all the time, even in the most civilized societies. I don’t really believe that violating them once more, explicitly and consciously – e.g. by ripping the bastard apart limb by limb – would ruin the foundation upon which our society is based, nor that that would mean that he has won and “we” have lost. Letting the collective expose a person who has demonstrated un-human behaviour beyond belief to inhuman treatment, does not turn us all into a barbarian mob. Human rights is a contract, and a contract can be renegotiated in changing circumstances.

I also don’t believe in the solution that some have suggested: that he be forced to listen to the stories of the survivors and the families of the murdered ones until the day he dies. What would be the point of that? Tormenting his soul? Saving it by making him repent? Letting him realize his mistake and bringing him back into the fold of decent citizens again? Sorry, it won’t happen.

When I still don’t think it’s a good idea to roast him, it’s mainly because I believe the course staked out by the Norwegian prime minister (“We will retaliate with more democracy, more openness, but never naïveté”) and by one of the survivors of the massacre (“If one man can show this much hate, think how much love we can show together“) is a much more productive path to take.

Emphasising community, interdependence, embrace, is not only a way to improve our society — even and especially in extreme conditions — it is also an excellent way to prove him wrong.

If that thought tortures him, all the better.

The potential risk of turning him into some kind of martyr is also a reason — again, pragmatic, not ideological — to abstain from “medieval” treatment.

The problem still remains what to do with the beast in the meantime, but the best would perhaps be to ignore him completely — to wipe him off our collective memory and let his place be taken by communal values.

If we roast him, someone will hear him scream, metaphorically or literally.

He may have a contractual right to humane treatment, but not to be paid any attention.

He may have the right to speak, but not to be listened to.

A Monument of Civilization?

Posted in politics on 23 Jul 2011

It now seems that the atrocities in Oslo and Utøya were commited by a single person. I think we can rule out completely any kind of organization. Apparently, the killer – a tall, blond native Norwegian, age 32, who speaks the local dialect – was taken to the island on the organizers’ own boat. Now, if there were more than one person involved, surely someone in the organization would have had a speedboat ready for him on the mainland?

Besides: Utøya? A summer camp for politically engaged youths?!

Granted, if terrorism is all about creating fear and terror, there might be some logic to it: strike where the shock will be greatest.

But …

Guitar in Two Weeks, day 13: Open Tuning

Posted in guitar, Lessons, music on 14 Jul 2011

Finally – it took more than a year, but here’s the next lesson: on open tunings.

I have had three life-changing epiphanies in my life as a guitar player. The first was the first time I tried a twelve-string guitar. I realized that the fullness of that sound was what I had been dreaming of all my life, I just hadn’t known it. Fifteen years later, I bought an old Ibanez twelve-string, and although it would be a lie to say that it’s the best guitar in the world, there is nothing wrong with that sound of twelve shiny strings.

The second was when I first tried a Martin guitar. I immediately realized that that was …

“I Stole A Song”

Posted in music on 12 Jul 2011

At last: I’ve found it!

Not the holy grail, not the place where pencils and single socks live, but the melody to Steel Guitars, James Damiano’s composition that Dylan stole and used for his song Dignity.

[see  this if you don't have a clue what I'm talking about (and this and this if you're still hungry for more)]

It’s obvious to anyone who has heard Dignity and Steel Guitars, that Judge Simantle’s words:
To the ear of this court, there is no substantial similarity in the structure, instrumentation or melody of the two songs.
is a fairly precise judgement. The …

Last Words on Dignity (the song, that is)

Posted in dylan, music on 9 Jul 2011

The story so far
I’ve been involved with the Damiano-Dignity “case” now for more than a decade. Here’s a summary, and my last words (I hope) on this matter.
Act One: Musicological Inquiries
When I first heard that Dylan had stolen “Dignity” from a poor songwriter, James Damiano, I was more sympathetic towards the victim than surprised about the theft.

Then, the victim started flooding the net with his case. Somewhere in the vast material, which mostly set out to prove — in tedious detail — the degree and kind of contact between Damiano and various persons somehow associated with Dylan’s organization, there was also one piece of musical evidence: a graph comparing Dignity” and “Steel Guitars”, the song Dylan allegedly had appropriated:

[caption id=”attachment_760″ …